BHM Inspiration - Snaps, Cracks, Tha Dozens, Scoring....

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Growing up in the east coast my father and grandmother’s generation called them “Tha Dozens”. My generation called it “Cracking” or “Scoring” and later when I moved west as a child we called it “Snaps". The most common name for this artform is called “Ya Mama” jokes. Whatever the term that you used it is still with us 80+ years later. Growing up you HAD to crack on people because you got cracked on and if you didn’t defend yourself you would be up for ridicule throughout your school experience. I wouldn’t say I was the best but I was good. I knew how to work a crowd , I employed physical comedy tactics, and I kept up with new jokes to keep my material fresh. Some people were born with the gift of gab to play Tha Dozens. I learned over time developing my skills in the projects of Cherry Hill in Baltimore, MD. When I moved west it was a cakewalk cracking on kids because their culture of ridicule wasn’t as savage as the primary schools of Baltimore. I became a legend in my intermediate school where I made fun of anyone who wanted to step to me. I later won a few competitions at local kiddie clubs AND won a competition on a local radio show when I was a teenager. My cracking career was a good one. When I think back to the things we said (a lot of them were truly offensive and would not fly today) it was a part of the larger culture of cracking jokes at our own expense to laugh finding subconscious ways of creating for ourselves because we didn’t have much. There’s a deeper level conversation on this topic exploring it’s creation and why it was such a pertinent norm for black culture that I’ll come back to it in the future for a deep dive. For now…just enjoy the ridicule

Yo mama’s so old…Her social security number is one.
Yo' mama so fat, she wore corduroys and smoothed out the ridges!
Yo mama’s so fat…If she buys a fur coat, a whole species will become extinct.
Yo mama is so old that she knew Cap'n Crunch while he was still a private.
Yo mama’s teeth are so yellow…When she smiles at traffic, it slows down.
Yo' daddy's so ugly, when he looked out the window he was arrested for mooning!
Yo' Mama is so old, she pees rust and farts dust.
Yo mama is so old that she knew Cap'n Crunch while he was still a private.
Yo' Mama's cooking is so bad, your family prays after they eat.
Yo' Mama is so stupid, she took the Pepsi Challenge and she chose Jif.
Yo' Mama is so fat, she needs license plates for her shoes.
Yo' Mama is so dumb, she locked her keys inside her motorcycle.
Yo' mama so fat, she has a real horse on her polo shirt.
Yo mama’s so old…She walked out of a museum and the alarm went off.
Yo mama’s so stupid…She put lipstick on her forehead to make up her mind.
Yo' Mama is like a telephone book: available to the public, no charge.
Yo mama’s so dumb…she thought Timberland was a park in Canada

Link to more jokes

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BHM Inspiration - Luther Vandross “A House Is Not a Home”

Burt Bacharach + Luther = The Best

Bonus: A lot of people don’t know that Luther was a key collaborator of Bowie’s during the “Young Americans” era.

BHM Inspiration - The Chris Rock Show (1997-2000)

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Growing up in the late 90’s early 2000’s one of my favorite shows was the Chris Rock show on HBO. After his breakthrough standup special “Bring The Pain” in 1996, Rock’s star rocketed with him landing prime movie and TV opportunities. He was offered a deal with HBO for his own talk show show which he accepted producing five seasons of a show that was representative of my generation who grew up following the established music order (Rap & R&B) while charting our own taste in alternative music within black and white music. Rock’s show was revolutionary in comparison to previous late night shows for me because it was short, the guests were random non standard celebrity fare, it could go in any direction he wanted because it was HBO, and most important the shows live music talent was unparalleled due to its diversity. I would argue that Rock did for late 90’s emerging black music what Letterman did for college rock/underground music with his show in the 80’s. They were both able to take chances because of their location (Letterman being after Carson and Rock on HBO) that competitors didn’t see as enticing or interesting.

In the late 90’s the internet was not what it is today and with that discovering culture through magazines and late night TV was the norm. Rock’s show exposed me to a new world of creatives and thought in black music. Each week I turned in to see who would be the guests, enjoying the performance, and then looking for that artist’s physical album later to complete the circle. Here are a few of my favorite performances from The Chris Rock Show during its iconic run.

BHM Inspiration - The Legend Known As Swamp Dogg

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An American hero and creative genius…..Swamp Dogg

Swamp Dogg Album Titles (1970-2018):
Total Destruction To Your Mind
Rat On!
Cuffed, Collared, & Tagged
Gag a Maggot
Have you Heard This Story??
Swamp Dogg’s Greatest Hits??
You Ain’t Never Too Old To Boogie
An Opportunity….Not a Bargain
Finally Caught Up With Myself
Doing a Party Tonite
I’m Not Selling Out / I’m Buying In!
I Called For a Rope And They Threw Me a Rock
Surfin’ In Harlem
The Re-invention of Swamp Dogg
Little Jerry Williams AKA Swamp Dogg
If I ever Kiss It….He Can Kiss It Goodbye!
Resurrection
An Awful Christmas and a Lousy New Year
Give ‘Em As Little As you Can…As Often As You Have To…or…A Tribute TO Rock n Roll
The White Man Made Me Do it
Love, Loss, and Auto-Tune

A Conversation about The-Dream with Four Color Zack, Jordan Page, and Steph Watts

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Continuing my Black History Inspiration Series I had to do something on Terius Nash, aka The-Dream, whose music and songwriting for both himself and others has held my attention for over a decade. Since arriving to music in the early 2000’s and becoming a solo star in his own right a few years later, The-Dream’s songwriting has influenced a generation of musicians behind him. He’s still releasing weird and different R&B like Menage a’ Trois: Sextape 1,2, and 3 which came out at the end of 2018. Between writing chart-topping hits for artists such as Jay-Z, Beyonce, Rihanna, Ciara, Justin Bieber, and Britney Spears he’s managed to release 6 solo albums, 4 eps, and a short film with an original soundtrack behind it — not one a clunker. He writes hits, deep cuts, anthems, moods, turn-ups, and any other format you could think of. In my opinion he is the alpha and omega of modern day R&B. 

I broke out the audio recorder and had a conversation with a few fellow fans of The-Dream: Jordan Page, Steph Watts, and Four Color Zack. Jordan is a DJ and stylist who’s knowledge of R&B is next level. Steph, who’s on that same level as Jordan (if not higher), produces the Brooklyn event “R&B Trivia” that celebrates R&B in all of its forms. Four Color Zack is a legendary DJ who plays all around the world — and when he and Terius Nash can make it happen, he’s The-Dream’s official tour DJ. 

Listen to the conversation to learn about The-Dream and his music.   

Bonus: Download Four Color Zack’s “Dream a Little Dream” The-Dream Mixtape which destroyed the internet when it came out in 2008. Statement below from Zack on making the mix…

I loved the sounds and complexities of his music both vocally and in the production. There were so many interesting ways to connect song to song, like a choose-your-own-adventure of the catalogue. There was never a plan for the original mix beyond just being a passion project I could easily share with my friends.

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Ramona Gonzalez (Nite Jewel) Recommends "The Art of Cruelty: A Reckoning"

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I love the Madlib Recommendation series because it’s a great way for me to get people who’s taste I admire to give up the goods. One of those people, Ramona Gonzalez aka the recording artist Nite Jewel, provided me with a recommendation of a book that was a gift that continues to keep giving. That book “The Art of Cruelty: A Reckoning” by Maggie Nelson is a critical assessment of art born out of actual or simulated violent events in life and how it relates to larger societal and cultural constructs.